Guava Island 2019 Eesti Subtiitrid
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Guava Island 2019 Eesti Subtiitrid
Filmimeeskond
Koordineerimise kunstiosakond : Shalona Mateusz
Stunt-koordinaator : Ingres Kaliah
Stsenaariumi kujundus :Tinesha Pirouet
Pildid : Rabeea Preksha
Co-Produzent : Corbett Lothair
Saatejuht : Lexie James
Juhendava kunsti direktor : Araceli Junayd
Lavastada : Tiam Winslow
Tootja : Kamya Neill
Näitleja : Talesha Newton
Deni Maroon, a musician and dock worker is determined to pull off a music festival against the interests of the local factory owner.
6.8
158
Guava Island | |
Periood | 179 minutes |
Vabastama | 2019-04-13 |
kvaliteet | SDDS 1440p VHSRip |
järk | Comedy, Thriller |
language | English |
castname | Suada C. Pascala, Romina P. Rimi, Kamelia D. Cherise |
[HD] Guava Island 2019 Eesti Subtiitrid
Lühifilm
Kulutatud : $234,547,336
Sissetulek : $264,199,957
Group : Toleranz - Lebenslauf , Himmel - Skizzen , Dialog - Schreiben , Erziehung - Women
Tootmisriik : Kambodscha
Tootmine : Bongo
Гуавьяре департамент — Википедия ~ Гуавья́ре исп Guaviare — один из департаментов КолумбииРасполагается в южной части страны
Список Peel Sessions — Википедия ~ Guvner 17 January 1995 The Gymslips 12 May 1982 1 September 1982 30 April 1983 28 November 1983 22 May 1984 Gypsy 21 May 1973 8 October 1973 H Hagar the Womb 11 February 1984 Half Japanese 25 May 1993 24 September 1995 4 November 1997
Законодательное регулирование выбора и организации ~ применение СИЗОД для защиты от асбеста Gary P Noonan Herbert L Linn Laurence D Reed et al A guide to respiratory protection for the asbestos abatement industry Susan V Vogt — Washington DC США Environmental Protection Agency EPA 1986 — 173 p — NIOSH IA 8506 EPA DW 75932235011
Испытания респираторов в производственных условиях ~ BGRGUVR 190 Benutzung von Atemschutzgerдten — Deutsche Gesetzliche Unfallversicherung DGUV — Berlin Deutsche Gesetzliche Unfallversicherung DGUV Medienproduktion 2011 — 174 с Lara Jaime Vennes Mireille Guide pratique de protection respiratoire — Commission de la santé et de la sécurité du travail du
СолтЛейкСити — Википедия ~ СолтЛейкСи́ти англ Salt Lake City Город у Солёного озера — столица самый населённый и самый большой по площади город штата Юта Название часто сокращается до СолтЛейк Salt Lake или даже SLC произносится ЭсЭлСи
Клингхоффер Джош — Википедия ~ Джош Адам Клингхоффер англ Josh Adam Klinghoffer 3 октября 1979 ЛосАнджелес штат Калифорния США
Противогаз — Википедия ~ Информация должна быть проверяема иначе она может быть поставлена под сомнение и удалена Вы можете отредактировать эту статью добавив ссылки на авторитетные источники Эта отметка установлена 11 сентября 2017 года
Респиратор — Википедия ~ Первым применением химического оружия было использование хлора под Ипром во время i Мировой войны 22 апреля 1915 года немецкая армия выпустила 168 тонн хлора на участке фронта длиной 6 км В течение 10 минут около 6000
Миллс Пат — Википедия ~ Пат Миллс англ Pat Mills род 1949 г — британский писатель сценарист комиксов и графических новеллЗа большой вклад в комикс индустрию его также называют крёстным отцом британского комикса
Led Zeppelin — Википедия ~ Led Zeppelin рус Лед Зе́ппелин МФА ˌ l ɛ d ˈz ɛ p ˌ l ɪ n — британская рокгруппа образовавшаяся в сентябре 1968 года в Лондоне и признанная одной из самых успешных новаторских и влиятельных в современной истории
Charming and poignant, this small, musical tale exudes Donald Glover's artistic integrity.
Guava Island musically enraptures its tropical aesthetic through severe self-indulgence. Donald Glover’s rhythmically-inclined alter-ego, Childish Gambino, is an inspirational talent. A rare find that cements the credibility of the current generation’s ability to produce harmonious tunes with a political trajectory. His “Awaken, My Love!” studio album infused psychedelic funk with soul and hip-hop, while his latest singles “This Is America” and “Summertime Magic” provide insight into his meticulous thought process. He is an artist through and through. So it comes to much astonishment that Guava Island, a miniature film that was clearly targeted at fans of his discography, was unable to find its footing amidst the soothing tropical breeze. A local musician/celebrity attempts to hold a music festival for the oppressed town of Guava Island, albeit ignoring the threatened warnings from the local dictatorial business magnate.
It commenced with an animated folk tale, narrated by the stunningly beautiful Rihanna (“Te Amo”!), describing the origins and current state of Guava Island. Considering the runtime, totalling just under an hour, this method of expressionistic exposition was required to construct the foundations of the basic narrative. Delightful, if somewhat mundane. Murai, in his directorial debut, then proceeds to the live-action bulk with a stylised 4:3 ratio filter equipped with grainy visuals for authenticity. Considering the economic and structural climate of Guava Island, it was immersive and enhanced the world Rihanna lovingly described to us.
Glover goes about his day, carrying his wooden guitar, singing and reinterpreting his latest singles. The infamously abnormal dance moves proceeded with “This Is America” in the middle of a factory. Then it hit me. Guava Island is essentially a “musical” to coincide and/or boost the promotional material of Gambino’s songs. Disagree? Well, he then proceeds to serenade Rihanna with “Summertime Magic” before winning my heart over with “Feels Like Summer”.
A fundamental question then dawned on me. Can the artistic integrity of music be translated effectively to a narrative feature? Perhaps, but Guava Island is not a good example of that. The musical spirit of the island’s residents being suppressed by a totalitarian state is nothing new and, unfortunately, conveyed obviously. The relationship between capitalism and the affected individuals of its grotesque aftermath failed to empower. This is due to Glover’s self-indulgence blurring the clarity of the story. Rihanna’s Kofi and her relationship with Deni is almost non-existent, despite the ‘Romeo & Juliet’ introduction. These characters are so focussed on portraying eccentricity, that the dynamics between them fell flat. Glover’s frequent collaborator and older brother was unable to balance all aspects in such a condensed time constraint within his screenplay. It’s so “to the point” that it loses that flavoursome flair that makes Gambino the artist he is.
That’s not to say the music isn’t catchy and Uzowuru’s rhythmic score won’t make you sway, as the musical aspect will have the biggest effect. The acting is serviceable, even if Glover can’t escape his exaggerated TV tendencies, and Sprenger’s cinematography is sublime. Unfortunately though, Murai’s inability to balance the film and rein in Glover’s overpowering talent taints Guava Island to be a drinkable albeit sour beverage.
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