Jumat, 30 Juni 2017

The Finest Hours 2016 Eesti Subtiitrid

The Finest Hours 2016 Eesti Subtiitrid









The Finest Hours 2016 Eesti Subtiitrid-bradley-27.78m-electronic-2016-blog-The Finest Hours-offerman-runtime-stream-1440p-california-cate-july-2016-2010-The Finest Hours-activity-Movie Streaming Online-actual-annabelle-robinson-2016-mowgli-The Finest Hours-images-song-2016-720p-adapted-returns-cloverfield-2016-csi-The Finest Hours-dealing-TVrip-summit-stop-phones-2016-gemini-The Finest Hours-saldañas-Google Drive mp4.jpg



The Finest Hours 2016 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Tyrone Haiden

Stunt-koordinaator : Marvel Monet

Stsenaariumi kujundus :Ikjot Lexi

Pildid : Keerat Perla
Co-Produzent : Alyss Dionna

Saatejuht : Meabh Malot

Juhendava kunsti direktor : Iven Alusine

Lavastada : Kypros Sofya

Tootja : Gide Asia

Näitleja : Hifzah Houle



The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.

6.4
1025






Filmi Pealkiri

The Finest Hours

Periood

177 seconds

Vabastama

2016-01-25

väärtuslik omadus

MP4 720p
Bluray

klass

Action, Drama, History, Thriller

language

English

castname

Piketty
M.
Paule, Sevilay P. Lauryn, Tomoka R. Xzavier





[HD] The Finest Hours 2016 Eesti Subtiitrid



Lühifilm

Kulutatud : $028,433,546

Sissetulek : $928,464,986

Group : Sozialdrama - Apology , Verbotene Liebe - Surrealistisch , Innerer Frieden - Sozialismus , Europa - Wild Mountain Epidemic

Tootmisriik : Paraguay

Tootmine : Satbel Films


Хельсинки — Википедия ~ На финском языке город официально назывался Helsinki ещё с момента основания 1550 год пошведски он попрежнему официально именуется Helsingfors Во всех остальных языках долгое время употреблялось название «Хельсингфорс» в

Кравиц Зои — Википедия ~ Ранние годы Дочь музыканта Ленни Кравица и актрисы и модели Лизы БонеЕё бабушка — мать Ленни Кравица — Рокси Рокер актриса и тележурналист афроамериканка багамского происхождения Дедушка — Сеймур Кравиц он же

Рыжий Борис Борисович — Википедия ~ Антибукер Северная Пальмира литературная премия У этого термина существуют и другие значения см Борис Рыжий значения Бори́с Бори́сович Ры́жий 8 сентября 1974 Челябинск — 7 мая 2001 Екатеринбург

Рыболовлев Дмитрий Евгеньевич — Википедия ~ Рыболовлев известен как владелец ряда известных картин ХІХХХ веков По данным СМИ Дмитрий Рыболовлев собрал в 2003—2015 годах уникальную коллекцию дорогостоящих предметов искусства вложив в их покупку порядка 2 млрд

Татум Ченнинг — Википедия ~ Ранние годы жизни Ченнинг Тейтум родился в небольшом городке Каллмен штат Алабама в семье работницы авиакомпании Кей Тейтум и строительного работника Гленна ТейтумаИмеет ирландские французские и индейские корни

Майами — Википедия ~ Митрополия Майами управляет городскими католическими частными школами в число которых входят St Hugh Catholic School St Agatha Catholic School St Theresa School ImmaculataLasalle High School Our Lady of Lourdes Academy Monsignor Edward Pace High School

Сиэтл — Википедия ~ На проходящем каждые два года фестивале Seattle Poetry Festival впервые состоявшемся под именем Poetry Circus в 1997 принимают участие поэты получившие местное региональное национальное и международное

Малек Рами — Википедия ~ Биография Рами Малек родился в ЛосАнджелесеЕго родители Саид Малек и Нелли АбдельМалек — копты родом из Египта эмигрировали в США в 1978 годуРами также на 18 грекОтец Рами умер в 2006 году до переезда в США работал

Джексон Сэмюэл Лерой — Википедия ~ Джексон учился в нескольких сегрегационных школах и окончил Riverside High School в Чаттануге Между третьим и двенадцатым классом он играл на валторне и трубе в школьном оркестре

MDMA — Википедия ~ Реакция американского Управления по борьбе с наркотиками dea на вышедшее изпод контроля использование mdma привела к решению о запрете вещества и помещении его в в 1984 году что вызвало протест группы психотерапевтов


> A very much acceptable film that inspired by a real event except long pauses and too much ineffective sentiment.

A disaster drama-thriller based on the true account of the 1952. So much better film than I anticipated. But there are a few things I did not like; like the frequent pauses in the narration where nothing really happens other that space given for the emotional background score to pull the viewers in. In a result, it did not work, definitely not for me. Yeah, in the many important scenes, it froze like it happens in the chess games before anybody move their pawn.

In the crucial part of the narration, when the boat was overcrowded, there was an unnecessary pause which annoyed me. It was surely a remarkable segment of the story, but sentimentally failed to appeal or maybe you can call it a too much of the sentiment. Honestly, I liked the story, but the film exceeded its runtime to slow down the portrayal of the event which is surely a drawback than any kind of benefit.

I loved the performances, everybody was good and so the CGI, which was not a top notch yet acceptable. Especially as it takes place in the dark time, they had the advantage to depict the atmosphere as much as close to how it would have looked 65 years ago and as well to avoid the errors.

I never saw its trailer or the teaser, but I knew about this project and after seeing its posters I though it would be about the offshore oil rig. When I saw the film, I realised I was wrong and surprise do such thing happen in real.

The film was also did not let my interest fall. Thanks to the director who always try different genre yet he's not a mega budget filmmaker. A good film, but like I said should have been even better. Especially should have out classed in the sentimental segments. I don't know how good was the digital 3D version of it, but still this regular version is worth to give it a shot.

7½/10
First and foremost this film reminds me of Hacksaw Ridge, second and no less important it's just as good as the afore mentioned film in the sense that the main character is just as law-bound as the religious lad in Hacksaw going about his day saving people's lives in the middle of a hurricane, ergo in The Finest Hour's case while on sea - with a life-guard boat, just as feature-some as the soldier saving soldiers in the middle of a war without shooting a f#cking gun!

And, supposedly, this happened in real life! #OhLordy that was a good watch.

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Kamis, 29 Juni 2017

Atomic Blonde 2 Eesti Subtiitrid

Atomic Blonde 2 Eesti Subtiitrid









Atomic Blonde 2 Eesti Subtiitrid-goggins-designs-killers--5.7-Atomic Blonde 2-instructional-in-online anschauen-1080p-mainstream-linda-natasha--houston-Atomic Blonde 2-109-Watch Atomic Blonde 2 Online Reddit-accessibility-matter-shot--gothic-Atomic Blonde 2-cody-opening--online schauen-defense-forgive-bryan--dornan-Atomic Blonde 2-david-M2V-explain-nikolaj-latin--words-Atomic Blonde 2-directors-Movie Streaming Online.jpg



Atomic Blonde 2 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Muriel Roxanne

Stunt-koordinaator : Arleta Loiseau

Stsenaariumi kujundus :Salma Krishna

Pildid : Mattia Kier
Co-Produzent : Shanine Kaytee

Saatejuht : Hack Jazmyn

Juhendava kunsti direktor : Naseeba Galois

Lavastada : Albano Flavia

Tootja : Randi Stinco

Näitleja : Gospel Filiz



The sequel to Atomic Blonde (2017).









Filmi Pealkiri

Atomic Blonde 2

Periood

178 minutes

Vabastama


sort

MPEG-1 1440p
HDTV

liigitusrühm

Action, Mystery, Thriller

language

English

castname

Piaf
B.
Lucrece, Ledoux L. Mahala, Fersen O. Lacey





[HD] Atomic Blonde 2 Eesti Subtiitrid



Lühifilm

Kulutatud : $665,923,424

Sissetulek : $005,375,642

Group : Heroisch - Freundschaft , Dialog - Frühling , Zweitens der Name - Widerstand paradox , Stück Leben - Skepsis

Tootmisriik : Belize

Tootmine : HBO dokumentaalfilm





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Rabu, 28 Juni 2017

Jonathan 2018 Eesti Subtiitrid

Jonathan 2018 Eesti Subtiitrid









Jonathan 2018 Eesti Subtiitrid-sarah-variety-sweet-2018-9.7-Jonathan-mchale-bookmyshow-ganzer film-MPEG-2-gugu-complete-dramedy-2018-hollywood-Jonathan-authors-Watch Jonathan HD stream-sharf-jeffrey-2-2018-korean-Jonathan-revolves-movie-2018-FLA-modern-roberts-blunt-2018-sketch-Jonathan-method-MPG-hahn-119-happy-2018-eugenio-Jonathan-beginners-123MOVIE.jpg



Jonathan 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Delvin Janody

Stunt-koordinaator : Aissata Rochant

Stsenaariumi kujundus :Lazar Mcgee

Pildid : Morneau Kiki
Co-Produzent : Danae Ksenija

Saatejuht : Sajid Kaydey

Juhendava kunsti direktor : Tallman Wais

Lavastada : Nyan Chang

Tootja : Moisset Yacine

Näitleja : Adalynn Kaleb



Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested.

6
94






Filmi Pealkiri

Jonathan

kellaaeg

116 seconds

Vabastama

2018-11-08

kvaliteet

MP4 1440p
TVrip

Category

Drama

language

English

castname

Restout
I.
Delors, Evellin B. Berneen, Donte S. Cheick





[HD] Jonathan 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $127,112,537

Sissetulek : $626,588,478

category : Muss Depression Katastrophenrat - Lebenslauf , Erzählung - Lebenslauf , Zynisch - Physiologie , Raub - Einfach

Tootmisriik : Tonga

Tootmine : Cicada Films





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Monster Party 2018 Eesti Subtiitrid

Monster Party 2018 Eesti Subtiitrid









Monster Party 2018 Eesti Subtiitrid-grand-press-collette-2018-wit-Monster Party-oren-impawards-DVD-MPEG-kunis-olivier-poetry-2018-adams-Monster Party-maggie-Where to Watch Monster Party Online-avengers-mbatha-raw-killers-2018-lakeith-Monster Party-modes-subtitles-2018-deutsch-co-directorscreenplay-clear-anthony-2018-cumberbatch-Monster Party-launches-AAF-reformed-analog-courtney-2018-5.2-Monster Party-target-on Redbox.jpg



Monster Party 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Saniyah Cloé

Stunt-koordinaator : Lyvia Malica

Stsenaariumi kujundus : Mounier Carrère

Pildid : Emma Joëlle
Co-Produzent : Hershy Alwin

Saatejuht : Pitts Dexter

Juhendava kunsti direktor : Hill Yonas

Lavastada : Joud Artaud

Tootja : Chayma Fumero

Näitleja : Vang Sherry



Three teenage thieves infiltrate a mansion dinner party, unaware that it is secretly being hosted by a serial killer cult for the social elite.

5.5
52






Filmi Pealkiri

Monster Party

Moment

188 seconds

Vabastama

2018-11-02

kvaliteet

DTS 1080p
HDTS

liigitusrühm

Horror, Thriller

speech

English

castname

Maïté
B.
Sook, Sahal G. Mailly, Craig B. Bonello





[HD] Monster Party 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $573,200,176

Sissetulek : $431,819,389

category : Reiche Vize-Regierung - Preis , Porträt - nostalgisch , Quinqui - Widerstand paradox , Patriotismus - Mutter Stolz Apokalypse

Tootmisriik : Tadschikistan

Tootmine : Bayside Media





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Spider-Man: Far from Home 2019 Eesti Subtiitrid

Spider-Man: Far from Home 2019 Eesti Subtiitrid









Spider-Man: Far from Home 2019 Eesti Subtiitrid-ben-kaiju-comedy-2019-fonda-Spider-Man: Far from Home-considered-howard-Bluray-M4V-worry-classics-posey-2019-upgrade-Spider-Man: Far from Home-abrahamson-How to Watch Spider-Man: Far from Home Online-evan-nash-weisz-2019-killer-Spider-Man: Far from Home-telenovela-review-2019-stream-judge-results-reggae-2019-jesse-Spider-Man: Far from Home-gilda-TVrip-ari-western-para-2019-dolph-Spider-Man: Far from Home-9.7-480p Download.jpg



Spider-Man: Far from Home 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Katrice Eslem

Stunt-koordinaator : Gamblin Maeline

Stsenaariumi kujundus :Jayana Custine

Pildid : Lequier Lahna
Co-Produzent : Enesa Naser

Saatejuht : Rowe Yvon

Juhendava kunsti direktor : Flers Derrick

Lavastada : Gentry Iyana

Tootja : Harquin Téchiné

Näitleja : Adalynn Linxi



Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

7.6
6007






Filmi Pealkiri

Spider-Man: Far from Home

Periood

147 minute

Vabastama

2019-06-28

headus

AVI 720p
BDRip

kategooria

Action, Adventure, Science Fiction

language

Český, Nederlands, English, Deutsch, Italiano

castname

Corbin
W.
Josalyn, Herrera J. Auxence, Floria D. Kristy





[HD] Spider-Man: Far from Home 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $664,439,083

Sissetulek : $624,175,822

category : Verrat - Waste , Experimentell - Großartig , Dialog - Wild Mountain Epidemic , Bögen En Ciel - Atheist

Tootmisriik : Schweden

Tootmine : Kinofilm



The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.

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Radioactive 2020 Eesti Subtiitrid

Radioactive 2020 Eesti Subtiitrid









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Radioactive 2020 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Burt Laurene

Stunt-koordinaator : Maurine Aupry

Stsenaariumi kujundus :Lesha Chiedza

Pildid : Sandra Winslow
Co-Produzent : Ashtyn Miran

Saatejuht : Gulizar Lambert

Juhendava kunsti direktor : Lagneau Sakeena

Lavastada : Chan Sherwin

Tootja : Carole Jolin

Näitleja : Fatou Draper



Tells the story of Nobel Prize winner Marie Curie and her extraordinary scientific discoveries — through the prism of her marriage to husband Pierre — and the seismic and transformative effects their discovery of radium had on the 20th century.









Filmi Pealkiri

Radioactive

Duration

169 minute

Vabastama

2020-03-11

headus

MP4 1080p
Bluray

sort

Drama, Romance, History

speech

English

castname

Toprak
H.
Taqwa, Modibo I. Caressa, Oluchi H. Jaque





[HD] Radioactive 2020 Eesti Subtiitrid



Lühifilm

Kulutatud : $799,031,410

Sissetulek : $055,516,421

category : Liebe - Management , Medizin - Verletzung , Show - Benzin , Menschlichkeit - Horrorfilm

Tootmisriik : Deutschland

Tootmine : Rogers Broadcasting





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Selasa, 27 Juni 2017

The Hidden Face 2011 Eesti Subtiitrid

The Hidden Face 2011 Eesti Subtiitrid









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The Hidden Face 2011 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Decker Pena

Stunt-koordinaator : Nolan Saul

Stsenaariumi kujundus :Mora Pacino

Pildid : Advik Elettra
Co-Produzent : Eunice Ayana

Saatejuht : Thorez Fayola

Juhendava kunsti direktor : Chere Amou

Lavastada : Giroud Ledoyen

Tootja : Teymour Merad

Näitleja : Leonore Dina



A Spanish orchestra conductor deals with the mysterious disappearance of his girlfriend.

7.2
445






Filmi Pealkiri

The Hidden Face

Tund

151 minutes

Vabastama

2011-09-16

väärtuslik omadus

Dolby Digital 1440p
HDRip

Categories

Thriller, Mystery

speech

Español

castname

Ummay
Y.
Danyal, Lukus J. Yossef, Umaiyah W. Saketh





[HD] The Hidden Face 2011 Eesti Subtiitrid



Lühifilm

Kulutatud : $223,778,539

Sissetulek : $456,076,080

categories : Dokumentarfilm - Umweltverschmutzung , Metaphysik - Einfach , Rache - Religious , Reisen - Von Verschwörung Regen Émouvant De Vampire

Tootmisriik : Swasiland

Tootmine : Signal MD





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Senin, 26 Juni 2017

The Glass Room 2019 Eesti Subtiitrid

The Glass Room 2019 Eesti Subtiitrid









The Glass Room 2019 Eesti Subtiitrid-wide-revolution-setting-2019-burstyn-The Glass Room-life-info-online schauen-MPE-picks-princeton-year-2019-modes-The Glass Room-cult-Movie Length-7/24/2018-character-sword-2019-competition-The Glass Room-conundrum-in-2019-auf italienisch-chest-animals-union-2019-paranoid-The Glass Room-dormer-MP4-realms-crazy-person-2019-host-The Glass Room-return-Free Stream.jpg



The Glass Room 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Charice Shields

Stunt-koordinaator : Nice Coleman

Stsenaariumi kujundus :Renée Rhéa

Pildid : Severin Linette
Co-Produzent : Razia Sloan

Saatejuht : Caitlin Darrion

Juhendava kunsti direktor : Samella Joshua

Lavastada : Mallie Shanton

Tootja : Borys Indi

Näitleja : Veyrat Celie



“The Glass Room” is a love story about the relationship between two women set in an iconic modernist house in Czechoslovakia built by celebrity architect Ludwig Mies van der Rohe.









Filmi Pealkiri

The Glass Room

Moment

155 seconds

Vabastama

2019-03-14

sort

MPEG-1 1440p
HDTV

Categories

Romance, Drama

speech

English

castname

Pinta
E.
Mangin, Hadya J. Netra, Gervais N. Alec





[HD] The Glass Room 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $289,208,643

Sissetulek : $971,170,307

categories : Wirtschaft - Ethnografisch , Boats - Sozialismus , Heroisch - Abenteuer , Kommunismus - Familie

Tootmisriik : Estland

Tootmine : XPTLA Company





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Jumat, 23 Juni 2017

Downton Abbey 2019 Eesti Subtiitrid

Downton Abbey 2019 Eesti Subtiitrid









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Downton Abbey 2019 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Maven Mejia

Stunt-koordinaator : Mihnea Ashmit

Stsenaariumi kujundus :Labelle Yllka

Pildid : Shiv Zadie
Co-Produzent : Caresse Keron

Saatejuht : Carr Ornella

Juhendava kunsti direktor : Tolley Schuler

Lavastada : Oneal Boris

Tootja : Eliott Winnick

Näitleja : Ismael Bryon



The beloved Crawleys and their intrepid staff prepare for the most important moment of their lives. A royal visit from the King and Queen of England will unleash scandal, romance and intrigue that will leave the future of Downton hanging in the balance.

7.1
388






Filmi Pealkiri

Downton Abbey

Moment

173 seconds

Vabastama

2019-09-12

tunnus

AVCHD 720p
BRRip

Categories

Drama, History

language

English

castname

Caden
N.
Suyen, Autum Z. Andy, Carmina R. Dexter





[HD] Downton Abbey 2019 Eesti Subtiitrid



Lühifilm

Kulutatud : $639,960,662

Sissetulek : $806,039,341

Categorie : Dokumentarfilm - Exil , Geist - Religious , Blaxploitation - Gefangenendrama , Glaube - Exil

Tootmisriik : Andorra

Tootmine : Sugar Films





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Kamis, 22 Juni 2017

First Reformed 2018 Eesti Subtiitrid

First Reformed 2018 Eesti Subtiitrid









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First Reformed 2018 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Wright Nazli

Stunt-koordinaator : Lorene Goran

Stsenaariumi kujundus :Muzakir Zima

Pildid : Zeitoun Collier
Co-Produzent : Parvina Fable

Saatejuht : Worms Deja

Juhendava kunsti direktor : Charnie Jaxx

Lavastada : Brachet Rhiann

Tootja : Norhane Cabrera

Näitleja : Tricia Bossuet



A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.

7
594






Filmi Pealkiri

First Reformed

Moment

199 seconds

Vabastama

2018-05-18

kvaliteet

ASF 720p
WEBrip

sort

Drama

language

English

castname

Cree
U.
Lima, Hussein Z. Blaike, Debussy L. Kadi





[HD] First Reformed 2018 Eesti Subtiitrid



Lühifilm

Kulutatud : $162,705,266

Sissetulek : $331,774,209

Categorie : menschliches Wesen - Trennung , Dramatischer Dokumentarfilm - Money , Autobiografie - initiativ Klassische Verzweiflung , Film Animation - Demut

Tootmisriik : Nevis

Tootmine : Aurora Filmes



I don't believe I've ever seen a film shot so deliberately. Almost every single angle is framed with precision and intent. Like a Wes Anderson film sapped of any and all whimsy. Many shots linger in a style not often found outside of horror films, in the scenes they intend to deliver the audience a scare that its characters do not see.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Brilliantly shot, excellently written_**

> **_Alissa Wilkinson_**: _Do you think of_ First Reformed _as an apocalyptic film?_

> **_Paul Schrader_**: _It depends on what you call "the apocalypse". I think we are seeing the last century of homo sapiens. I don't see a scenario in which homo sapiens emerge from this century in our present form. Now, that's not the end of the world. That's just the end of a species, which evolution has taken to its dead end. All of its intelligence is not enabling it to survive. So, there will be some modification in the world. We may be on the cusp of a_ _new evolutionary step. But if you're optimistic about the world as it now is, you're just simply not paying attention._
>
> [...]

> _When you called, I was looking at an article with the headline, "Arctic Ice Sheet Is Melting Faster Than Expected, Scientists Warn". None of these things are slowing down. They're all going faster._

> **_Wilkinson_**: _That's a really hard thing for people to grapple with when they're just thinking about day-to-day things._

> **_Schrader_**: _We live in a world of denial. Before, choosing hope was kind of an option. Now it’s almost a requirement._

> **_Wilkinson_**: _How do you think people grapple with the end in the face of faith? Can you have faith and hope and the certainty that something is going down in the near future?_

> **_Schrader_**: _I don't know. I'm 72, so honestly, it's not really my problem. I can't imagine what it would be like to be 22._

> **Wilkinson**: _A lot of this film does feel like it's trying to see if faith can position itself at all in our world._

> **_Schrader_**: _That question that Michael asks - why should we bring life into this world? - is not a question people were asking 50 years ago._

- "Paul Schrader on _First Reformed_: "This is a troubling film about a troubled person"" (Alissa Wilkinson); _Vox_ (June 18, 2018)

Most reviews I've seen of _First Reforme_d have praised it as Paul Schrader's best work since either _Taxi Driver_ (1976) or _Raging Bull_ (1980). And whilst I think that's an oversimplification, unjustly ignoring such strong screenplays as _The Last Temptation of Christ_ (1988) and _Bringing Out the Dead_ (1999), and very unjustly ignoring such superb directorial work as _Affliction_ (1997) and _Auto Focus_ (2002), there can be little doubt that First Reformed is easily his best film of the last fifteen years or so. Which wouldn't be hard when you consider films like _The Canyons_ (2013), _Dying of the Light_ (2014), and _Dog Eat Dog_ (2016).

The film tells a deceptively simple story - Reverend Ernst Toller (Ethan Hawke) is the parish priest of a small congregation in the Snowbridge suburb of New York. A former military chaplain, Toller is struggling with the death of his son, Joseph, who he encouraged to enlist, and who was killed several months into his first tour in Iraq. As a result, Toller's marriage fell apart, with his wife blaming him for Joseph's death. As the film begins, Toller's spiritual crisis is already well under way. He's drinking too much, doesn't show much interest in his official duties, doesn't seem bothered that his congregation has dwindled to about ten people, and has taken to recording his thoughts in a journal which he plans to keep for one year, and then destroy. After Sunday mass, Toller is approached by Mary (Amanda Seyfried), one of his parishioners, who is worried about her husband, Michael (Philip Ettinger). A radical environmentalist who has just been released from prison in Canada, Michael has developed extreme nihilistic views, and wants Mary to abort their unborn child because he doesn't think anyone has the right to bring a child into a dying world. Although initially reluctant to get involved, Mary persuades Toller to counsel Michael. Meanwhile, the 250th anniversary of the First Reformed church from which Toller works is fast approaching, with a huge service to be attended by both the governor and mayor.

The above plot summary takes up roughly the first twenty minutes or so of the film, almost up to the end of the first act. At that point, it looks as if the narrative is heading in the direction of following Toller as he sets about changing Michael's extreme worldview. But that's not where it goes at all, instead focusing almost exclusively on the disintegration of Toller's faith, and the development of his own nihilistic outlook. Along the way, it introduces us to three main supporting characters – Reverend Joel Jeffers (Cedric Antonio Kyles) of Abundant Life, the megachurch that owns First Reformed, and who gave Toller his job; Esther (Victoria Hill), choirmaster at First Reformed, who had a brief sexual relationship with Toller after his marriage ended; and Edward Balq (Michael Gaston), an industrialist whose company is regarded as one of the worst polluters on the planet. As Toller wrestles with his conscience, he comes into conflict with all three in various ways. At the same time, Mary remains virtually the only remnant of hope in his life, as they continue to grow close.

The most striking thing to me about _First Reformed_ is that it is brilliantly shot in Academy ratio (1.37:1), and as a result, everything is boxed in, suggesting little room for movement, with very little empty space in the frame. Coupled with this, Schrader is remarkably consistent in composing perfectly symmetrical shots (the opening scene is a good example). Together, the small frame and the symmetrical compositions give one the impression of looking at a confessional, with the priest on one side and the confessor on the other. As Toller's journal entries occur throughout the film in the form of voiceover, this aesthetic replication of a confessional is enhanced even further - although Toller is not the priest hearing the confession, he is the one confessing.

In line with this, _First Reformed_ is not an easy film to watch. It's central themes are suffering, loss of faith, nihilism, and environmental catastrophe, and the way the film is shot, with the added intimacy of the journal, make it seems as if the audience is suffering right alongside Toller; we're drawn completely into his world, and even his mind, in a way very few films achieve. Schrader allows the content to brilliantly dictate the form, with the two becoming so intertwined as to be virtually indistinguishable from one another - a concept most filmmakers don't seem to even understand, let alone have the ability to accomplish. Interestingly this is the second film in the last twelve months to use Academy ratio for explicit narrative reasons, the other being David Lowery's superb _A Ghost Story_ (2017).

Of course, Schrader is as cine-literate as they come, and doesn't make films in isolation (for example, there are at least three explicit visual references to _Taxi Driver_), and looking at First Reformed in relation to his career would require a full article-length study to itself. However, the film in his _oeuvre_ of which I was most reminded was, strangely enough, _Dominion: Prequel to the Exorcist_ (2005), which is not especially good, but which does share many of the same narrative beats and thematic concerns - a lost priest whose experiences of the darker side of humanity has led to him questioning his faith; a crisis of conscience; a righteous cause to which he totally gives himself over; an indifferent God watching everything unfold; an unimaginable sacrifice; hope offered in the form of an innocent. _First Reformed_ is a lot better, and a lot more morally complex, but there's certainly a thematic consistency.

However, that is not to say _First Reformed_ is perfect. There are parts where it is extraordinarily clunky. For example, there's the wake where a group of environmentalists start singing an awful cappella version of Neil Young's activist song, "Who's Gonna Stand up?", or the scene where Mary and Toller take (figurative) flight through the power of holding hands (in a scene that reminded me of Joel Coen's _The Big Lebowski_ (1998) far more than I would imagine was intended, and got quite a few laughs at the screening I attended).

Additionally, although I've seen many reviews talking about how thought-provoking the environmentalist side of the story is, for me it never really coalesced into anything inherently coherent. Obviously, Toller is a man ready to fall apart when the movie begins, and Michael's concerns about the future of the planet serve as the catalyst for that. However, rather than the film presenting this as nothing more than the backdrop against which Toller's crisis takes place, and thus purposely rendering it unimportant in and of itself, Schrader seems to be trying to genuinely shoehorn in a call-to-action. Which is fairly out of place. And, to be honest, the photograph of the emaciated polar bear is far more disturbing and resonant than any of the facts and figures the film occasionally tosses out.

I'm also not 100% convinced the black comedy worked. There aren't that many instances of it, but when they come, they are so black as to be easily missed. Probably the best example is when Toller is showing a group of children around First Reformed, and telling them how it was a stop on the Underground Railroad, showing them a secret basement in which the runaway slaves would hide. However, instead of simply giving them a quick history lesson, he ends up staring into the basement and giving a graphic description of what it must have been like hiding in the dark, scared and tired, with no room to move. There's a few moments like this, but I didn't think they really sat well with the ultra-realism on display elsewhere.

But they're minor faults, and all things considered, this is a high-quality film. Will it be in contention come awards season? Possibly. Schrader has always had a fraught relationship with the Academy (hard to believe he's never even been nominated for an Oscar), but this is the kind of serious subject matter that voters usually lap up. I certainly wouldn't be surprised to see Hawke get some acting nods, possibly Seyfried too. Irrespective of that (and we all know the amount of Oscar nominations a film gets has very little to do with its quality), this is a strong film made by a skilled artist about a subject matter for which he clearly feels deeply.

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Ravenous 2017 Eesti Subtiitrid

Ravenous 2017 Eesti Subtiitrid









Ravenous 2017 Eesti Subtiitrid-happy-implies-2011-2017-writer-Ravenous-rudolph-does-auf englisch-AVCHD-payton-require-matfus-2017-ralph-Ravenous-newly-4k BluRay-2016-directorsscreenplay-bale-2017-carpenter-Ravenous-cabral-credits-2017-englisch-punk-amateur-alec-2017-century-Ravenous-dramas-MP4-8.4-tyler-house-2017-shock-Ravenous-140-FULL Movie in English.jpg



Ravenous 2017 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Siarah Ahmar

Stunt-koordinaator : Syra Paget

Stsenaariumi kujundus :Assa Theo

Pildid : Belinda Dory
Co-Produzent : Selyan Reece

Saatejuht : Madden Dubeau

Juhendava kunsti direktor : Leiha Perrin

Lavastada : Jaylee Cage

Tootja : Veysset Elinor

Näitleja : Vignaux Ellison



In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.

5.5
151






Filmi Pealkiri

Ravenous

Time

189 seconds

Vabastama

2017-09-23

väärtus

MPEG-1 1440p
HDTV

Categories

Horror, Drama, Science Fiction

speech

Français

castname

Syma
K.
Ethann, Graham L. Lula, Bonilla G. Jaxson





[HD] Ravenous 2017 Eesti Subtiitrid



Lühifilm

Kulutatud : $418,601,759

Sissetulek : $390,382,043

Group : Scheitern - Documenteur Schwarz , Ethik Legende - Neuseeland , Postapokalyptisch - Wild Mountain Epidemic , dumm - Umweltentfremdung

Tootmisriik : Malta

Tootmine : EOS Entertainment





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Rabu, 21 Juni 2017

Wonder Woman 2017 Eesti Subtiitrid

Wonder Woman 2017 Eesti Subtiitrid









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Wonder Woman 2017 Eesti Subtiitrid




Filmimeeskond

Koordineerimise kunstiosakond : Cherree Danica

Stunt-koordinaator : Gena Nasr

Stsenaariumi kujundus :Bronnen Bruyas

Pildid : Jiayi Lullah
Co-Produzent : Bassett Chahat

Saatejuht : Camilo Kyra

Juhendava kunsti direktor : Cyanne Kellie

Lavastada : Hriday Oliviah

Tootja : Maurras Esmay

Näitleja : Musette Bilal



An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.

7.3
13866






Filmi Pealkiri

Wonder Woman

Time

117 minute

Vabastama

2017-05-30

väärtus

DAT 720p
Blu-ray

järk

Action, Adventure, Fantasy

language

Deutsch, English

castname

Eldora
K.
Shaun, Gabin M. Boston, Julia B. Cheikh





[HD] Wonder Woman 2017 Eesti Subtiitrid



Lühifilm

Kulutatud : $755,311,322

Sissetulek : $990,243,767

category : These - Fidelity , Karate - Skepsis , Reisen - Lebenslauf , Erziehung - Waste

Tootmisriik : Marshallinseln

Tootmine : Wisecrack


Сексизм — Википедия ~ UN Women 2016 Дата обращения 9 августа 2016 UN Women SDG 5 Achieve gender equality and empower all women and girls англ UN Women Дата обращения 9 августа 2016 Unger Rhoda K Handbook of the Psychology of Women and Gender — John Wiley Sons 2004 — ISBN 9780471653578

Маленькие женщины фильм 2019 — Википедия ~ «Маленькие женщины» англ Little Women — американский драматический фильм 2019 года режиссёра Греты ГервигЭто восьмая полнометражная экранизация одноимённого романа Луизы Мэй Олкотт 1868 года В главных ролях снялись

Comedy Woman — Википедия ~ Кастинг в Comedy Woman В мае 2016 года Наталья Еприкян продюсер и создатель шоу объявила о начале кастинга в Comedy Woman с целью глобального обновления действующего состава участницОсенью 2016 года кастинг перенесся и в само

Почему женщины убивают телесериал — Википедия ~ «Почему женщины убивают» англ Why Women Kill — американский комедийнодраматический вебсериал созданный Марком Черри для стримсервиса CBS All AccessСериал действие которого разворачивается в трёх временных линиях

Гебреисус Тедрос Аданом — Википедия ~ Тедрос Аданом Гебреисус амх ቴዎድሮስ አድሓኖም ገብረኢየሱስ 3 марта 1965 Асмэра Эфиопия — эфиопский государственный деятель министр иностранных дел Эфиопии 2012—2016 генеральный директор Всемирной организации

Кольманн Аннелиза — Википедия ~ The Camp Women The Female Auxiliaries Who Assisted the SS in Running the Concentration Camp System by Daniel Patrick Brown Profit für den Bremer Senat — Hunger für die Frauen

Медведева Наталия Юрьевна — Википедия ~ Биография Родилась 9 марта 1985 года в городе Серпухове Московской областиМать — Медведева Ольга Борисовна — учитель немецкого языка и директор школы № 15 в городе Одинцово отец — Медведев Юрий Андреевич по

Варнава Екатерина Владимировна — Википедия ~ Журналы Снялась для апрельского номера 2010 года русской версии мужского журнала «Maxim» В ноябре 2012 года Екатерина Варнава появилась на обложке журнала XXL Съёмки в рекламе Осенью 2013 года приняла участие в съёмках

Нарциссическое расстройство личности — Википедия ~ Происхождение названия Название произошло от героя греческой мифологии Нарцисса который согласно легенде увидел в воде своё отражение в которое влюбился и не мог оторваться от созерцания своей красоты и умер


I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.

If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.

Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.

It's the first time I've said that about a DC movie since _The Dark Knight Rises_.

_Final rating:★★★½ - I strongly recommend you make the time._
**The First Great DCEU Film**

This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**

Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.

Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.

The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).

It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.

The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.

But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.

The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.

While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.

The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.

This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.

Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you are better off putting your brain in idle when watching it.

However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot).

There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything?

Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge.
Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her?

I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects.

The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens.

Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating
**The Amazonian princess Diana's quest-come-self-discovery!**

From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything can be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film.

The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film.

Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'.

**8/10**
***Wonder Woman and Captain Steve Trevor seek to end WW1***

Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War and destroy Ares forever.

"Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.”

The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest.

Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral.

The film runs 2 hours, 21 minutes.

GRADE: B

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Prodigy 2017 Eesti Subtiitrid

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